NEW YORK, NY–Showing up at Zuccotti looking for an angle to a story for a film was not easy. There was movement. Tension. Too many TV news and reporters jockeying. All I noticed were lenses. Press passes and mikes. News trucks and generators and satellite dishes. Everyone seemed important. A lot of talk. Yelling, intensity, and of course a ton of politics. This was great–unless, like me, you are looking for a story to tell. There was too much politics to figure out how to begin. All the meeting s with the GA’s seemed too intense, and how do you film that? Stand there for a long time…
I noticed people running around near the main stream media–live streamers. I started asking questions: who are you? Why are you filming? Where does your work go? Lorenzo Serna explained that he was streaming. This grabbed my attention. Then, Bill Boggs at the press tent handling PR was loaded with intensity. Then Hero Vincent was doing some kind if Skype chat. I started asking all of them questions. This led to meeting Justin Wedes and Priscilla Grim and Flux and Haywood Carey–and Tim Poole. Of course, Jesse Lagreca made a splash with the Fox News people. I knew this was the angle for my film: the media people. They had a job to do. Help drive a story. Whether it was filming, editing, getting out a press release or a newspaper, this was new, exciting, living media happening from Zuccotti in the rain, snow. Anybody getting out a story to the world with this feverish energy was exciting, and to me, the first time in a long while in New York City that media wasn’t old, stale and redundant!
I made a 40 minute film that was almost live. I made some good friends and they shared with me some great video that I couldn’t film alone. I needed a team of 5 camera people 24/7 .
I made a film that mirrored the days and nights of Zuccotti. Raw, fast and real, I wanted the sound rough. The shaky camera from when I was shoved. Zuccotti was not a glossed-over filtered fantasy. I am a hard New Yorker, and this energy was real. The OWS media team is brilliant. From the Direct Action to the graphic artists to Sophia writing the Spanish paper, I tell the story of many people. Personal, yet showing their commitment to OWS media, I filmed it.
This is new journalism. They don’t need press passes and insignias to get out a story. This is greatness in action. I’m happy they trusted me to tell the story. And, regardless of criticism, they know how to create a story, and they work hard.
It was a once in a lifetime event in New York. Finally people said “Enough with the bullshit. We are citizen journalists. This is what we do. We will tell our own story.”
I used my energy to capture it.
Editor’s Note: You may view #WhileWeWatch in its entirety here at SnagFilms.